Neytiri stands on skyscraper with arms outstretched over futuristic cityscape with neon‑lit sunset.

Avatar: Fire and Ash Tops Holiday Box Office, Marty Supreme Breaks Records

> At a Glance

> – Avatar: Fire and Ash tops the holiday weekend with $88 million over four days.

> – Marty Supreme pulls in $27.1 million, beating rival Anaconda.

> – Domestic 2025 total reaches $8.76 billion, matching 2024’s $8.75 billion.

> – Why it matters: These results show a resilient holiday season and hint at a potential rebound in the broader 2025 market.

In a busy holiday weekend, James Cameron’s Avatar: Fire and Ash and A24’s Marty Supreme dominated the U.S. box office, delivering record sales that lift the industry’s outlook for 2025. The weekend’s results also underscore a shift toward PG-rated titles and signal a steady domestic market despite broader challenges.

Avatar: Fire and Ash Leads the Charge

The film earned $88 million over the four-day Christmas-to-Sunday stretch, with a $64 million weekend haul, according to studio estimates. It opened softer at home than its 2022 predecessor but dropped only 28 % in its second weekend versus Way of Water’s 53 % slide. In just two weeks, it has racked up $217.7 million in North America, while $542.7 million has come from overseas. With a $400 million budget, the movie still needs to stay strong into New Year’s and early January if it is to join the franchise’s two-$2 billion films and become the first series with three such hits.

Marty Supreme Breaks Expectations

A24’s 1950s-set table-tennis drama, shot on a $70 million budget, pulled in $27.1 million over the holiday weekend, outpacing Sony’s Anaconda, which earned $23.7 million. Timothée Chalamet’s promotional push-including a Las Vegas Sphere appearance-helped the film become a rare box-office winner for an original, non-franchise title. Marty Supreme’s success highlights the continued strength of PG-rated movies, which earned $2.87 billion domestically versus $2.78 billion from PG-13 releases.

Industry Trends and Outlook

Paul Dergarabedian said:

> “really solid end to a tumultuous year”

> “pretty incredible”

Domestic ticket sales for 2025 stand at $8.76 billion, roughly equal to 2024’s $8.75 billion, but still below the 2019 total of $11.4 billion. Netflix’s bid to acquire Warner Bros., the highest-grossing film of the year-Chinese production Ne Zha 2-reached $2 billion, and the most-watched film, KPop Demon Hunters, was sold to Netflix. The Oscars have also shifted to YouTube.

  • Upcoming 2026 titles:
  • The Super Mario Galaxy Movie
  • Spider-Man: Brand New Day
  • Live-action Moana
  • Toy Story 5
  • The Mandalorian and Grogu
  • Other releases to watch:
  • Lionsgate’s The Housemaid ($46.7 million in two weeks)
  • Angel Studios’ David ($49.8 million)
  • Paramount’s SpongeBob Movie: Search for SquarePants ($38.2 million)
  • Focus Features’ Song Sung Blue ($12 million four-day haul)
Timothée Chalamet stands confidently before vintage table tennis table with 1950s style and neon lights in Las Vegas backdrop
Rank Film Four-day weekend
1 Avatar: Fire and Ash $64 million
2 Zootopia 2 $20 million
3 Marty Supreme $17.5 million
4 The Housemaid $15.4 million
5 Anaconda $14.6 million
6 David $12.7 million
7 SpongeBob Movie: Search for SquarePants $11.2 million
8 Song Sung Blue $7.6 million
9 Wicked: For Good $5.3 million
10 Five Nights at Freddy’s 2 $4.4 million

Key Takeaways

  • Avatar: Fire and Ash‘s $88 million four-day haul signals strong franchise momentum.
  • Marty Supreme‘s $27.1 million weekend shows PG-rated originals can succeed.
  • Domestic 2025 total of $8.76 billion matches 2024, but still trails 2019’s $11.4 billion.

The holiday weekend’s robust sales give Hollywood a hopeful outlook as it heads into a quieter 2026, with a slate of high-profile releases poised to keep audiences in theaters.

Author

  • My name is Olivia M. Hartwell, and I cover the world of politics and government here in Los Angeles.

    Olivia M. Hartwell covers housing, development, and neighborhood change for News of Los Angeles, focusing on who benefits from growth and who gets pushed out. A UCLA graduate, she’s known for data-driven investigations that follow money, zoning, and accountability across LA communities.

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